Nicolas Donin
Head of the Analysis of Musical Practices research group at the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM), Paris. He has published extensively on the history of music and musicology in the twentieth century, and his recent work focuses on contemporary composition and performance, using methodologies from musicology, social sciences and cognitive studies. Most recent edited collection: The Oxford Handbook of the Creative Process in Music (New York: Oxford University Press, chapters online 2017-2021, forthcoming in print).